Elementos coreográficos de euritmia e suas relações com a dança moderna

Abstract

What were the transformations in the stage arts that are related to the perspective on the dancing body and how eurythmy emerges in counterpoint with classical ballet?”. The Artistic Eurythmy, originated in 1912 and conceived by Rudolf Steiner, seeks to bring to light, through gestures, what lives within. In mastery of his ideas, we follow looks to the body and its movements during the 20th century, with the gravitational fullness of the body serving as the foundation in this context. This research aims to present my experience in eurythmy, elucidating my first contact with this artistic language, as an undergraduate student at Rudolf Steiner College. In contact with works such as Cecília Almeida Salles, Edwin & Eva Froböse, Fayga Ostrower and Johann Wolfgang von Goethe, who presents us with a deeply sensitive look about creativity, putting in evidence the creative process, I was able to approach this art conceptually and experience it corporally within the Iandé Collective, an extension project, taught by Daniela Mayle Meirelles, offered by FRS.